Stirling Notes.

Director. Designer. Storyteller.

February 3rd, 2012

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Insight

I’m up and it’s late. Like really, really late. Or perhaps it’s early for you if you have just risen for the day. But for me it’s late and up I’m thinking about time; time captured and time wasted, the clock tics down as I now have less than 3 hours until my iPhone alarm has to wake me for the long day I have ahead of me.

As I surf the web stumbling upon inspiration, I’m setting multiple alarms in my 4S, and my thoughts landed back to my childhood; back to the black Braun AB1 clock that sat at my bedside. Designed by Dieter Rams in 1971 for Braun the AG AB1 battery-operated alarm clock is a modern classic that is now in a number of permanent museum collections worldwide noted for it’s minimalist styling and highly graphic aesthetic. Each day this striking piece of technology would awaken for my school daze as well as lay the foundation of my artistic aesthetic.

When my room was pitch black I would stare at the glow-in-the-dark hands and when my room was lit I would stare, fascinated at how deftly colour was implemented to instruct me how to operate the device. I loved the use of the sharp green as a directional tool. It’s placement on the alarm hand and how it was perfectly tied into the alarm dial on the back of the casing and would then peek-a-boo at you when the alarm button was set upward. The addition of yellow on the second to accent the piece offered just the right amount of visual pop to nail down the sublime balance of line and font on the clock face.

Looking back, the language in which the clock spoke to me was very clear but this was well before I had any formal grasp or understanding of art, design and the brilliance of Dieter Rams. This product, as well as a host of others he created began to form the tapestry of design, style and cultural references that to this day influence my art and life. My parents coffee in the morning was brewed by his imagination, while my father’s face was cleanly shaven by his insight. I admire the attention to detail artists like Dieter have taken in creating timeless classics from a list of potentially mundane household items.

I encourage you to expect more from your housewares and seek out exceptional items such as this. Their influence can be great in helping shape the imagination of young and old alike.

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braun / Dieter rams /
January 17th, 2012

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Inspiration.

David Fincher is an American film and music video director known for his dark and stylish thrillers, such as one of the most chilling serial-killer thrillers ever Se7en, the cult-level and wildly graphic Fight Club, the most perfected cinematography ever witnessed in Panic Room, and most recently the slickly adorned, designed and styled The Girl With The Dragon Tattoo an English-language adaptation of Stieg Larsson’s novel of the same name. A highlight of his career of highlights is when Fincher received Academy Award nominations for Best Director for The Curious Case of Benjamin Button and his film The Social Network, which also won him the Golden Globe and the BAFTA for Best Director.

Fincher lucked out at an early age in that none other than George Lucas lived in Fincher’s neighborhood. He went on to work for Lucas’ visual effects company Industrial Light & Magic (ILM), where he quickly assembled such namely titles as Star Wars: Return Of The Jedi and Indiana Jones And The Temple Of Doom to this filmography. To this day the experience of having worked behind the camera before taking the director’s chair can be witnessed in Fincher’s perfectionism and superb competence in filmmaking.

David Fincher left ILM in 1984 to pursue his own career, directing music videos and tv-commercials and his career took off and reached an early climax towards the end of the 1980’s, working for clients that included Nike, Coca-Cola, AT&T and pop-superstars Madonna, George Michael, Billy Idol, Foreigner and Michael Jackson.

From title-sequences, to lighting, cinematography and editing, to the score and his precise attention to sound-design and art direction, David Fincher’s films are incredible acts of exacting control of the art forms many variables. A balancing act many cannot even fathom to attempt, never mind master. Please be sure to catch the instant classic The Girl With The Dragon Tattoo which is in theatres now.

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January 16th, 2012

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Insight.

I was lucky enough to grow up in a not-so-typical environment; a hundred year old converted baseball glove factory that my parents purchased and help develop the cities first hard lofts. Inside my parents sought out to fill the space with content that would juxtapose the rich texture and exposed finishes with classic lines that amplified the timelessness of the space. One of these pieces is a favourite of mine, the modern classic Womb chair.

Designed by Eero Saarinen in 1948, the Womb chair is probably one of the most comfortable Saarinen chairs in history. Made in 1948 at request by Florence Knoll to create “a chair she could curl up in,” it displays the Finnish-born designer’s flair for challenging rules, breaking molds and setting new standards for modern design.

With its cradle form designed for a relaxed seating position, the Womb chair is reflective of Saarinen’s style of designing furniture with organic architecture and is a key selection for me as I build my collection of classics.

This large lounger is called the Womb Chair because of its unique, enveloping shape. The chair and ottoman are completely upholstered in a wool & polyester blend fabric over a foam-lined molded fiberglass frame. Saarinen’s Womb Chair continues to be one of the most recognized representations of mid-century modernism and a number of Saarinen’s chairs for Knoll have become landmarks in the history of 20th century design.

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eero saarinen / womb chair / knoll / design / furniture /
January 14th, 2012

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Inspiration.

Being a young designer in Canada it is nearly impossible to not have felt the influence of Burton Kramer. With putting together my portfolio I looked back on some of my early work as well as thinking back to my first ever website that was designed with the help of Nic Borel and Greg Durrell. When I landed on Greg’s portfolio site A Brief History Of I came to find out that he is the Art Director and Editor for the finely designed book ‘Burton Kramer - Identities’.

Greg is currently working on a documentary on Kramer and describes the book as “An important and comprehensive book on the work of a leading Canadian designer, educator and painter, who practiced for over 50 years”.

He goes on to say “Within the Canadian design community, Burton Kramer became known as a staunch advocate of fully integrated design at a time when such an approach was virtually unknown in Canada. As a functioning part of this advocacy, Kramer was one of Canada’s first graphic designers to courageously promote the use of Helvetica type, organizational grids, symbols, systems design and other visual manifestations of the “International style” in a Canadian design environment that was then steeped in a different tradition and often hostile to this radically new approach”.

Kramer began his design career in the New York office of Will Burtin and went on to work at Geigy under Gottfried Honegger. In 1961, he moved to Zurich, Switzerland, as Chief Designer at the E. Halpern Agency, where he created award-winning work. In 1965, Kramer moved to Toronto to work on graphics and signage for Expo 67. In 1967, he founded Kramer Design Associates, creating identity programs for the Royal Ontario Museum, Ontario Educational Television and in 1974, his well-known logo and identity program for the Canadian Broadcasting Corporation.

His logos and corporate identity work have been published in numerous books and journals worldwide. In 1999, he received the Lifetime Achievement Award from ArtsToronto; in 2002, the Province of Ontario awarded him the Order of Ontario for his cultural contributions; and in 2003, the Ontario College of Art & Design granted him an honorary doctorate, D.Des.

An icon of iconography, this book is a shelf and coffee table must have.

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January 14th, 2012

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Insight.

My family is in the business of home decor and design, and at the end of last year I stumbled upon the perfect gift for my family, specifically my Dad. He has a love for fine design, and also has a constant thirst for the improvement of process (that is the nice way of saying anal retentive tendencies-lol). I thought that this device addresses both taste and tendencies perfectly.

Nest is the only thermostat that improves with time. No more programming, no more constantly changing the temperature. The Nest Learning Thermostat programs itself in a week to keep you comfortable and save energy. Using Nest, you create the perfect balance between comfort and conservation. Nest connects with a new generation of homeowners who crave simplicity of design and energy-efficiency. The Nest is essentially the iPod of thermostats and was created by Tony Fadell, one of the most sought-after tech talents; he is the man who designed the hardware for the iPod, and headed Apple’s iPod and iPhone division before leaving his VP post to spend time with his family.

A simple loop of brushed stainless steel encases a chassis of reflective polymer with a clean and crisp digital display and user interface. Designed with insight from HVAC professionals, Nest uses the users input, motion detection and artificial intelligence to figure out when to turn down the heat and when to jack up the air conditioning, optimizing efficiency and maximizing savings. You can communicate with the Nest from your smartphone, tablet or web browser. Nest usually takes less than 20 minutes to install and set up and as easy as Nest is to install, it’s easier for homeowners to use.

Nest is yet to be available outside of The United States and in the interim the Stirling’s anxiously await it’s up North launch.

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nest labs / thermostat / hvac / Tony Fadell /
January 13th, 2012

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Inspiration.

Dating back to my pre-teens I have been captivated with the art and approach of Andy Warhol and I was lucky enough to be gifted the hardcover book, Andy Warhol: Polaroids, Celebrities and Self-Portraits recently. It documents Andy Warhol’s Polaroid work during the last two decades of his life. In looking through the pages I unearthed my Polaroid camera and thought to share with you one of my favourite projects I have read about in recent history.

When Polaroid announced they were ceasing production of instant film in 2008, photography lovers around the world hoped that somebody, somewhere, would do something. The Impossible Project did. Writing a new chapter in the history of photography and dedicated to instant film The Impossible Project’s mission is not to re-build Polaroid integral film but to develop a new product with new characteristics, consisting of new optimised components, produced with a streamlined modern setup.

The Impossible Project started in October 2008 with a small team of the very best 10 former Polaroid employees. With more than 500 years accumulated experience and knowledge the began at the last preserved Polaroid plant in Enschede (The Netherlands) with the aim to save anlog Instant Photography from extinction. After 17 months of research and development, The Impossible Project announced that it succeeded in its task of re-producing a new analog Instant Film for traditional Polaroid cameras.

The Impossible Project currently employs 25 people in the factory in Enschede and has indeed made the impossible possible.

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January 12th, 2012

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Inspiration.

I recently enjoyed watching Page One: A Year Inside the New York Times, a new documentary about a year inside the NY Times newsroom and everything that goes into bringing readers their daily newspaper. The film deftly gains unprecedented access to the New York Times newsroom and the inner workings of the Media Desk. With the Internet surpassing print as our main news source and newspapers all over the country going bankrupt, Page One chronicles the transformation of the media industry at its time of greatest turmoil. After watching the film I plunged into researching other publications and it led me to the visionary David A. Smart.

In a time of modern magazine management practices and well-researched corporate decisions, the development of Esquire magazine in 1933 offers a refreshing example of Entrepreneurship. As publisher of Esquire and Coronet, Smart plunged ahead in the magazine business where other publishers would not have dared to venture. After his success with Esquire, he started Coronet, a magazine so richly illustrated that it became a collector’s item. Smart believed the magazine was something the public ought to like, and if it did not make money it could be supported by Esquire’s profits. Teaming up with Arnold Gingrich as the editorial genius behind his magazines, Smart built a publishing empire that set the way for other magazines to follow. In some ways, as with his art magazines, he was ahead of his time.

A kitschy gem, and sister company Coronet Films (promoted in most issues as well) was a producer and distributor of American educational films from 1946 to the early 1970s founded by David A. Smart. The company, whose library produced instructional short films aimed at young teenagers and high school students which were produced by dozens until the mid-1950s when production tapered off. Social guidance on topics such as dating, family life, courtesy and citizenship were typical themes of the films with occasional educational topics such as the solar system and the human body.

What I find remarkable is Smart’s effort to guide, teach, research, and his commitment to making the arts accessible. His reach is still felt through The Smart Museum of Art. First opened to the public in 1974 it promotes the understanding of the visual arts and their importance to cultural and intellectual history through direct experiences with original works of art and through an interdisciplinary approach to its collections, exhibitions, publications, and programs. Smart, eh.

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January 11th, 2012

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Insight.

Pantone is the international standard for colour in the world of design and has been the world’s color authority for nearly 50 years, providing design professionals with products and services for the colorful exploration and expression of creativity. Recently I picked up a much needed update to my Pantone Matching System.

In researching the new series I was enamoured with depth and steps taken in developing The Pantone Plus Series. It’s a modern evolution offering multi-media designers like myself as well as printers new features and capabilities to fulfill their creative desires. Enhancements include the chromatic arrangement of colours for more intuitive selection, an expanded palette of spot colours, the addition of new premium metallics and a broader range of neons.

Creative agency Base is at the helm of the identity, packaging, and launch campaign for Pantone Plus, the successor to the Pantone Matching System. They designed a logo lockup with the new name and framed it in the context of the iconic Pantone chip and aided in landing on the naming of “The Plus Series,” to emphasize the added benefits of the upgraded product line—566 new colours, a revised chromatic colour flow, and a set of digital tools. Base’s design comprises the packaging for the entire Plus Series line—eight fan guides, four chips books, and set boxes.

As a complement to its work on The Plus Series, Base produced a short film in conjunction with director Greg Mitnick and Cool Hunting producer Ami Kealoha about Pantone and the development of the new product line. Featuring commentary from Pantone insiders and several leading lights of the design community. The four-minute movie provides a rare behind-the-scenes look at the company, gives insight into the development of the new series, and highlights Pantone’s crucial importance to the world of design today.

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November 15th, 2011

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Insight.

“I wish that we lived in a time and a generation where people would stop viewing my honesty as overly emotional. People always act like I spend my life crying in a dark room. I don’t, I’m good. I’m a man. I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I don’t think people realize that we die, we leave here, and either they forget about you or remember you. And how they remember you is up to you. I just want to be remembered as a poet that was open and honest because I wake up every morning and I’m me ” - Drake

Looking back on this moment, it was easy to perceive this as a trivial and cliche “crew shot”. However, this was just a glimpse of something much deeper. The thing is, a story takes pages and chapters to flesh out it’s character. Not to be judged solely by the cover or opening statements. The beginning played a role in allowing the listener to grow with him, where each step of both them and he laid the foundation of becoming a truer sense of self. From teenager to man. It’s been a great one to witness.

“I suppose no man can violate his nature. All the sallies of his will are rounded in by the law of his being, as the inequalities of Andes and Himmaleh are insignificant in the curve of the sphere. Nor does it matter how you gauge and try him. A character is like an acrostic or Alexandrian stanza; — read it forward, backward, or across, it still spells the same thing. In this pleasing, contrite wood-life which God allows me, let me record day by day my honest thought without prospect or retrospect, and, I cannot doubt, it will be found symmetrical, though I mean it not, and see it not. My book should smell of pines and resound with the hum of insects. The swallow over my window should interweave that thread or straw he carries in his bill into my web also.

We pass for what we are. Character teaches above our wills. Men imagine that they communicate their virtue or vice only by overt actions, and do not see that virtue or vice emit a breath every moment.” - Emerson

Take care.

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November 6th, 2011

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Insight.

Mark McEwan, is the chef/owner of one of my favourite Toronto restaurants, Bymark. When I was 16 I was first exposed to the culinary pedigree of McEwan after I spent a summer living in North Toronto while my parents loft was being built. He had launched the ‘Uptown’ institution North 44 in that area; now the pillar on which he has built his empire which includes the aforementioned North 44 (old money), Bymark (Bay Street Brokers), ONE Restaurant (Euro mob types/rappers/new money) at The Hazelton Hotel, Fabbrica at the Shops of Don Mills (Suburban Kings & Queens) and a 23,000 square foot fine food emporium named McEwan.

Once a month I make the trek up to McEwan Foods; located in the innovative (re)development of the The Shops at Don Mills. This gourmet marketplace by celebrity chef Mark McEwan introduces the best tastes, treats and textures this side of Europe, including a delectable selection of specialty and hard-to-find items unavailable anywhere else in Toronto.

Everything about the store is a reflection of Mark’s distinctive style of cooking, which captures the essence of classical cuisine and marries it with the nuances of contemporary flavour. Almost half the store is dedicated to fresh food that showcases Mark’s delicious recipes made from locally produced ingredients and neatly packaged for take-home convenience. I recommend the strip-loin salad from the selection of take home meals called ‘McEwan’s Own’, from their selection of Heat & Serve, Ready To Eat and Pantry items. Every McEwan’s Own recipe has been inspired, refined and perfected in the most demanding test kitchen of all – a world-renowned Mark McEwan restaurant. Featuring wholesome ingredients and unparalleled quality.

Celebrity chef. TV personality. Highly acclaimed restaurant owner. Gourmet grocerateur. Mark is one of the most recognizable faces today in the Canadian fine food industry.

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mark mcewan / gourmet food / grocery / toronto /
November 1st, 2011

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Insight.

Most things are good enough. They serve their purpose. No one expects any more. Except a perfectionist.  A perfectionist refuses to accept what is. He thinks: What if this was made as good as it can be? Why make anything if not to the highest standard? A perfectionist has his own vision, and the passion, meticulous attention to detail and unblinking persistence to keep working – at his computer, his drawing board, his shop – until his creation is worthy of his idea. Some would deride perfectionism as an obsession. Perhaps; but it is an obsession that Shakespeare has in common with Albert Einstein. That Lawrence Olivier has in common with Mozart. And in his own way it is what Jonathan Ward, of Los Angeles, California, has. Lucky for us, his obsession is the ICON.

Ward creates his art slowly. His volume is extremely limited, with each vehicle assembled and finished by hand. It is an astounding act of déjà vu: reincarnations of the original Toyota FJ40 Land Cruiser and Willys CJ and now the Ford Bronco, that inspired a cult following since the 1960s. But while the look may be pure vintage, the body, engine, drivetrain, wiring, seats, suspension and steering are completely state-of-the-art. “No one has ever applied real craftsmanship to the blank canvas this vehicle can be,” Ward says. The result is a necessity for people who thought they already had everything: A utility vehicle of unparalleled refinement, featuring a level of custom detail impossible to find in the world of mass production.

The ICON is not a fashion statement. It is a vehicle – a utilitarian tool to maximize your experiences in the outdoors. “Sport utility vehicles,” Jonathan says, “have all but lost their usefulness. That’s why we created this.” The ICON is for accomplished people who do not need to show their status, but who love owning something that is unique, highly functional, and made just for them. The ICON is for people who appreciate the intelligence that goes into the hundreds of choices made in its design and assembly, and how, in a vehicle costing upwards of $100,000, nothing is superfluous.

The ICON is a supreme achievement for a fortunate few.

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October 31st, 2011

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Insight.

Richmond Optometry is owned and operated by Dr. Jason Yu, BSc, OD, is an optometrist with laundry list of certifications and degrees who graduated with Dean’s Honours. During his studies, he worked hard to promote collaboration between optometrists and other health professionals in order to improve the efficiency and accessibility of eye care in the community. Upon licensure, Dr. Yu joined optometry and ophthalmology practices in the Greater Toronto Area and has a special interest in ocular diseases, pre- and post-operative care, contact lenses, and pediatric eye care.

But what impressed me the most was his vision, his vision of his brand experience. Topping off an incredible resume and an abundantly obvious passion for his craft Dr. Yu has created a unique brand experience that spans print, web and film. I lucked out on discovering Richmond Optometry as it’s situated only about a block away from my home. The strong branding caught my eye as I drove past and I headed into to Dr. Yu’s shortly thereafter. Followers of my Twitter feed and Instagram most likely remember when I was weighing out my decision between two Oliver Peoples frames; Dr. Yu was helpful enough to take those snaps on my iPhone. Coincidentally, his shop is outfitted with a solid collection of Apple computers as well- I must admit those little touches make the experience. I often wonder why anyone would trust sub-par technology in your health care experience?

A must see, (pun intended) are the adverts in the ‘Extras’ section of the Richmond Optometry site. Dr. Yu commissioned a handful of clever 30 second spots that are will have you rubbing your eyes and laughing out loud. The thoughtful execution of all of the visual elements, the brands tone of voice and the superb customer service and retail experience has set the bar for key expectations of what health care can and should be.

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eyewear / oliver peoples / richmond optometry / eyecare /
October 30th, 2011

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Inspiration.

In preparation for a potential new project that I hope to embark upon, I’ve been researching the iconography, history and culture of mens grooming. One brand that stands alone in this field is Takara Belmont, with whom for the past 50 years has become the eminent name in Barber equipment.

Looking through their storied past and timeline of designs I landed on this iconic silhouette. Nothing says “main street barber” like the Elegance barber chair, where you’ll want to swap stories all day in this chair. Resplendent with cast aluminum body, towel bar and clipper hook to complete the old-time look. This is a retro barber chair for modern times. The classic style of the #225 Barber Chair has become an industry standard and continues to be one of the top selling Barber Chairs in the world today.

Many days I’ve dreamt of creating a barbershop that spoke to young men of modern bespoke sensibilities. A place that gives a nod to the heritage of the ritual of mens grooming while firmly placed in a context that is distinctly modern. I’ve contemplated design, branding, materials, finishes, merchandise down to the finest detail and finally I just might have the chance to have this passion project come to life. Fingers crossed.

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takara belmont / barber / barbershop /
October 29th, 2011

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Insight.

I have a passion for retail; my family shares with me this love, and fortunately for me, they have exposed me to some of the world finest retailers. In fact, as a child vacation destinations were always chosen with culture, art and retail being at the forefront of the criteria of our selection. Many times our mealtime conversations would revolve around topics of store design, marketing, merchandising, point of sale solutions, customer service and other key retail assets. With that being said I thought I would share with you a storied retailer from right here in my backyard.

Hudson’s Bay Company has an unrivalled 341-year history in Canada and is renowned for its historical role in the development of the nation and was incorporated in 1670 by a British royal charter under King Charles II. Undertaking early exploration, its traders and trappers forged early relationships with many groups of First Nations/Native Americans. Its network of trading posts formed the nucleus for later official authority in many areas of Western Canada and the United States. In the late 19th century, its vast territory became the largest component in the newly formed Dominion of Canada, in which the company was the largest private landowner.

The Bay has since established a reputation for service, quality, and more than ever, for style. New York based luxury goods publisher Assouline explores the Canadian brand behind the iconic striped blankets and beautifully illustrates the brand’s iconic past and how it continues to shape trends and tastes today. If you get the chance step into The Bay and be a part of history.

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October 22nd, 2011

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Inspiration.

In 1977, David Lynch released his first film Eraserhead, and then followed this with a stream of visually stunning films such as Blue Velvet, Lost Highway and Mulholland Dr. All of these films feature what has since become a signature, rich, textural locals, vibrant colours, and the use of dreams and montage to weave thoughts and emotions simultaneously. Lynch has gained the reputation of one of the foremost auteurs in the filmmaking industry, and one of the few living auteur’s who continually defies both cinematic convention and the Hollywood curse.

His films continually represent his ideal that films in representation of life, should be complicated, and, in some cases and sequences, be inexplainable. Unquestionably he has rationale as to why he places the shots, costuming, props, score, edits, effects, filters, lights, colours and casting in the manner he does, but he’ll never tell anyone else. For this reason, and due to the beautiful confusion of his films, he will always be recognized as if not one of the greatest filmmakers, one of the most original. Lynch is a creative master, and even if his films aren’t necessarily realistic, they are real in their representation of what life is: a confusing, irrational series of random events that truly have little purpose, and one makes their own interpretation of every event, giving their life purpose personally.

It was Twin Peaks, which first aired on the ABC television network in April of 1990; that captured my imagination and set me on my path to being the filmmaker I am today. The show was created, produced and directed by David Lynch and defies simple description, offering an engaging experience in a combination unlike any that has been seen before on television. I encourage you to grab a cup of coffee and a slice of pie and get to know this mans work.

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david lynch / director / film / television /
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